The oldest of nine children of Gertrude Koval and Morris Adler[1][2], Polly Adler emigrated to America from Yanow, Russia, near the Polish border at the age of 14 just before World War I. The war stopped her family from joining her. She worked in clothing factories and sporadically attended school. At 19, she began to enjoy the company of theater people in Manhattan, and moved into the apartment of an actress and showgirl on Riverside Drive in New York City.
She opened her first bordello in 1920, under the protection of mobster Dutch Schultz and a friend of mobster Charles "Lucky" Luciano. One building in which she plied her trade was The Majestic at 215 West 75th Street, designed by architects Schwartz and Gross and completed in 1924 with hidden stairways and secret doorways.[3] Her brothel there boasted such patrons as Robert Benchley, New York City mayor Jimmy Walker, and mobster Dutch Schultz.[4]
In the early 1930s, Adler was a star witness of the Seabury Commission investigations and spent a few months in hiding in Florida to avoid testifying. She refused to give up any mob names when apprehended by the police. She survived by providing half of her income to her underworld safety net. For over 20 years, Adler kept active by moving her brothel from apartment to apartment. She retired in 1944.
Adler attended college at age 50, and wrote a bestselling book, ghosted by Virginia Faulkner, A House is Not a Home (1953), allowing her to live off the proceeds. She died in Los Angeles, California in 1962. A House Is Not a Home was made into a movie two years later, starring Shelley Winters as Adler. Her notoriety led her to be included in Cleveland Amory's 1959 Celebrity Register.[5]
lyrics
Pearl Polly Adler
By Robin Aigner
I’ve been to the Campbell Apartment
At the invitation of FDR
I’m the only one who knows where he goes when he parks his car
You can’t believe the papers, periodicals you read
I’m a lady first and foremost
Doer of good deeds
A house is not a home
And Winters can not hold a candle to my throne
I said it first, let it be known
I’m a spy in the house of love
Mistress of mirth, enemy of the church
You can call me Polly
You can call me Pearl
I’m the queen of the Nile, of Riverside Drive
A Murry Hill girl, the run of mill kind
Red wine wall coverings
Covering the underthings
The birds sway, to the out of tune humming
A warm meal for Lucky Lou
A bed when he’s broke
He treats me all right, with his limited sight
From the point of view of a half-funny joke
Think we’ve got the makings of a pretty good deal
I’ll know I’ve arrived, when the books that I sign
Keep me in Clevelands for the rest of my life
I’ll protect my men
With an armor of amour, by hill or dale or glen
See you at Seabury
I’ll come when they call
But madame don’t take kindly
To windy lies and watching other fall
You can call me Polly
You can call me Pearl
I’m the queen of the Nile, of Riverside Drive
A Murry Hill girl, the run of mill kind
Red wine wall coverings
Covering the underthings
The birds sway, to the out of tune humming
I might take my learning
Later than others
But I learned from the best
The mightiest of brothers
The living that I’m earning
Fits inside of a Mason jar
But you won’t find it in the floorboards
Underneath the mahogany bar
I’ve been to the Campbell apartment
At the invitation of FDR
I’m the only one who knows…
Where he parks his car
credits
from Bandito,
track released April 4, 2010
Robin Aigner (music, lyrics), Josh Camp (tack piano), Caroline Shaw (violin)
"Local folkie Robin Aigner croons witty, vintage-sounding tunes with dashes of klezmer and swing." —Timeout New York.
Brooklyn's Aigner plays engaging and emotive history vignettes, blending 30s novelty tunes, old-time folk, mid-century country-and-western, and Eastern European music....more
supported by 8 fans who also own “Pearl Polly Adler”
This is just HILARIOUS
Everyone on it gave such an AMAZING performance
and Kevin's final appearance? Took me completly by surprise *cheff kiss* MarlaHectic
supported by 7 fans who also own “Pearl Polly Adler”
Spooky as HELL AND LOVING IT
And I love that they included different actors playing the poor doomed intern...It just comes to show how the very same script is unique in every performance and every single person on the role MarlaHectic
A female voice that feels out of another century quivers over a folk harp on the 11 tracks that make up this exclusive video album. Bandcamp New & Notable Jun 14, 2016
A hushed and low-lit EP from this Melbourne musician, where dreamlike melodies drift across a bed of tender guitar. Bandcamp New & Notable Aug 19, 2023